Sunday, October 31, 2010

Sometimes Lover (continued)

"Stop," she says. "Tell me something different."

Her demand falls flat, cold. She looks at him meaningfully. Although he is aware of this, he can not decipher the meaning. She plays with the long, delicate stem of her wine glass, almost takes it between her fingers, but then opts for water instead.

She brings the clear, full glass to her lips and drinks. He thinks she will stop after one mouthful, but she goes on. She raises the glass higher as she drinks, throws back her head so he can see her small, hard Adam's apple bobbing up and down as she swallows. He is troubled by this — the mechanics and pipes of her body, the things she can not hide with makeup or jewelry or clothing. The things that make her function, hold her alive. He feels as if it is something he shouldn't be seeing, but revels in being able to stare at it: the pale, taunt skin of the neck, the blue veins and bulging tendons.

She places the empty glass back on the table.

"I know this story already," she says. "I know it too well. It has a sad ending —"

"It doesn't have to have a sad ending."

"Yes, it does."

Pause.

"Tell me a story with a happy ending," she asks.

"I'm not good at that kind of story."

"What kind of writer are you, then?"

He hopes she didn't mean to put so much venom in her tone, but the fact that she did certainly means there was an intention to hurt. He wouldn't admit it to anyone, but he is hurt. She wounds him deeply with her sharp, careless words. He goes on asking for them, like some masochist.

"I'm a tragic writer, I suppose." He attempts sarcasm. "Both my life and work are tragedies."

"How unfortunate," she says neutrally.

He looks at the table, averting her stare.

"You haven't touched your wine."

"I don't like Italians."

"That's new."

"A lot of things have changed," she says. For a moment he thinks he hears her chocking back a sob. "You have no idea."


Saturday, October 30, 2010

Plea (inspired by Modest Mouse and Listener)

I don't know what I'm chasing
I don't know your name
I never said that you should die
I just said that you might like it
I just suggested that you try it
Take it back if it ain't your thing
But maybe they'll give you
A store credit.

I've built up quite a reputation
For tearing down buildings
and seeing their bones
With the people in them.
I've built up quite a reputation
For accidental product placement
of beliefs. They're for everyone.
They're easy to use.

This town got smaller as I grew.
This cup got empty as I filled
myself. This house got colder,
but everyone's complaining about the heat.
How long until I can get out of bed
and say "Hold my head for me,
I am tired. I've been using my neck
for a while and I've even failed at that."

I missed the sign, apparently.
I have to play this game, apparently.
Truth is, I've tried and it's worked.
I just want you to want me on your own.
I think there'll be another sign.
I think you like me, too.
What it means is beyond me,
but it feels pretty nice.

I don't know what I'm chasing.
I've known your name for a while.
I've built up quite a reputation
For taking things out of context.
I've preached clarity before
and now I see that it's harder
for others to achieve. I have.
(most times)

Here's all I have to tell you:

"This is my personal space.
You are welcome to be in it, but
Understand that this means
That I need to be in yours, too.
I know that it takes a while
for anyone to allow this to another,
but I've grown enough to let
refusal be a high five for effort."

Sunday, October 24, 2010

Bristol3

Have you been out on the downs lately?
Have you seen the crows there?
Maybe they are ravens.
I wouldn't know the difference.
Let's say they're ravens —
It sounds more literary.

I went jogging there last Tuesday
And noticed them,
All squat and ugly
In the long, wet grass.
They bob along awkwardly
Between the runners
And footballs and students.

Sometimes they croak —
I suppose that's to be expected
Of a raven.
Sometimes they fly,
Wings folded back —
A flight full of effort,
Quickly finished.

They are dispersed —
Just a handful of them —
Black specks in the green.
They are waiting for something,
Stationed there like bodyguards
On a landing pad.

Friday, October 22, 2010

Grant

An Italian Sonnet


The stubble only stuttering across
Your (sadly) uncleft chin. The mesa of a
Mole upon your neck, the mark of a lover
Surrendered to the beast. Your eyes agloss


With eager fear, transfixed on the horizon
Still. The net upon your skin, it sears
You to the bone. Legs thrash as death comes near.
Head pressed against the alter of my thighs,


You plead for your release, gripping ankles.
A chortled frenzy rises from between
Your grinding teeth. The apex of your horror:


A groan, contortion in weird angles.
All covered in a cold and sickened sheen,
All limp, you eye the open door.

Thursday, October 21, 2010

Sleeping with Open Eyes

We used to play pretend
until one day it became real
The games, they stopped being fun
yet we continued on,
trying to capture our lost innocence

Tuesday, October 19, 2010

I Know That You Are Home

I know that you are home
when I hear you from
beyond the staircase and
you break my concentration with
the open heart of song;

and I listen like a man
who has spoken all his life

but never heard before.

Monday, October 18, 2010

untitled #3

this
primordial waterfall
sunken
ship
dry.

Penumbra

There one day appears a dull ache
in the form of a cold vertical burn
running the length of the windpipe,
as though autumn air was filling the lungs
after a long run, as though autumn
was filling the body with the frost
of a promised but not yet present winter.
It appears, settles with nettled spokes,
drags skin and hair down to mingle with the silent fall
of maple leaves and brown staghorn branches,
littering the ground under the soles of summer shoes
with a halfhearted reminder of cloudless light
and sun that did not just blind but warmed,
and a body that did not just walk inside of coats,
but inside freckled skin that, until sunset, lay on grass
to watch the purple bruise of darkness seep,
knowing of the ache to soon set in,
trying not to think about the darkness as bad,
because really all that nightfall is
is a shadow cast in slow motion.

Sunday, October 17, 2010

Bristol2

Nose clogged with cold
Cheeks flushed from the walk's mild effort
Shoulders borne down with books
I bite into my apple

The fruit's firm flesh
Tears and cracks open
Sweet, tangy pulp fills my mouth
Crisp juices burst and
Tickle my gums

Out of breath
I inhale through my mouth
Opened wide
A generous smile

I taste Autumn air
I breathe apple

Friday, October 15, 2010

It's my day and I feel like posting.

Schoolyard Tracheotomy

I blame all of you for what I've become.
Please notice that I use "blame" and not
"attribute" or whatever the fuck else
would be complimentary.

I blame you. and you. and you.
and you.
and you. and you. and you. and you.
and you.
and you. and you and you you you and you
and you.

especially you.

Thursday, October 14, 2010

Lord of Mornings

Perhaps this was the original cause of death,
boredom.
Tired, of the abyss which is my time.
Perhaps coffee, the sweet lord of mornings
will break me from boredom's hold on me,
that sorcerer.
Yet the last time I broke my pact
(with the lord of mornings),
worshipping him with a Medium sized coffee well past noon,
I paid the consequences.
I wish not to go back to that dreadful 95 minutes.
A predicament, is where I find myself.
Oh look, a book,
Oh sweet escape.
I praise thee.

Tuesday, October 12, 2010

there is a girl

there is a girl and her dog
on the sidewalk

(there is always a girl
so the dog just seems
extraneous at this point
but we'll go with it for now)

she is the girl i thought of
when i lay half awake on Saturday morning
expecting her to walk through my door
not knowing she expected
the same of me

she is the girl of my day wasted
looking at dinosaur skeletons
in the Canadian Museum of Nature
hoping for a conversation
about early equines

the day that wasted but did not rot
did not bloat and bulge and burst
like what might be expected
of a dream, but
rather fell to the sidewalk

like the other thousand forgotten days
(that are sitting on piles
in impoverished countries
with small children climbing
looking over the mounds of wreckage looking in
the Hills and Mounds of Bad Days
for what they (as children
who cannot, or so we observe,
do Nothing) consider Days Well Passed)

but this one has returned
this one remains
and as she sits on the sidewalk
and i do not know if
she is there for me

but i can only assume
that the dog was there
to catch my attention

Generation HP

Hey, so I haven't got anything for heartrape this week, but I posted a confessional essay on my personal blog about how awesome Harry Potter is and how potentially awesome the books made us because we grew up with them.

Anyway, I'd appreciate it if some of you took a look at it and told me what you think. The essay can be read here. Thanks!

CAFS

Monday, October 11, 2010

Breathing August

I need help with this. I can't figure out how or where to edit, but know that it needs polishing. I've been ruminating on it since August.


i.

“You made me love myself”
I say
though not to you
because you’re never here
to hear my words.
I store it instead
in the ossuary for words,
for my words to you,
for the ones that never grew
strong enough like the bones they should have been
to give a skeletal rendition
to this thing we call –
or rather that I call –
us.



ii.

I perpetuate this perfunctory business
of making these words for you,
out of air and flecks of sunshine
that float around my room in bits of solar radiation,
because I need to extract these words
through the slats of my ribs,
and have no choice
but to curve my existence
along the circumference of your
gravitational tug.



iii.

I store these words on paper,
file them away in neat rolls
(rolled because the only place I have
to store them is a Payless shoebox).
They coil in fetal positions;
words half-baked, premature,
and wrong
in some fundamental way,
because I realize that the truth of it is
I have never actually written
a love letter –
to you or anyone else –
and I then become obsessed with understanding how.



iv.

It makes no sense to me
to deconstruct along the feral cracks
of feeling
to quote platitudes exaggerated
to a cosmic scale
while in the meantime
our circumstellar selves rotate
around the star of our burning immediacy.
There is no way to trap that emphatic necessity for nowness
itching raw red skin
beneath which cells fight the fever infecting humanity
because it turns out we were never
supposed to feel this way.



v.

Imbued with biology for feeling sensations
but not for feeling
and even then the feel is obsessive in its need
and gored by the horn of some mythological beast
leaking roses and moonlight from the wound.
How to transfer, then, that acquisition
of a caught ephemeral thing
to paper with the tired keys
of a punch-drunk typewriter.



vi.

I try and bind that feeling to my fingers
so that the only way that it can escape is
through the ends of the mechanized alphabet letters
where it is pinned, pressed, stained
against the inked ribbon
to leave its mark forever
before it leaves to mutate
and infect again
and scoff at all the clever antibodies that finally allowed
for an army of white blood to conquer,
biding their time before they wash said blood red again
with blushes and overflowing arteries
and the rush of orgasm.



vii.

No, the feeling flies,
unbound, never quite managing
to be spoken of with truth, just platitudes
from amourous tongue lips and fingertips
and breaths spoken into displaced pillowcases
in the sleepy haze
of the thumping pulse of release.
These moments are real,
but they are moments
and anyone who thinks that moments justify truths
has to learn that reality cannot rest on abstraction
from a time that can never be preserved
or even proven.



viii.

I sit in front of my yellow paper
curled into the protective lip of my typewriter
and I imagine it as being the thing to expel my words
a separate being from myself
speaking these words
that aren’t actually
- I swear they’re not -
my own.
A mechanical scapegoat
that gives my soul absolution
from this writing, this art that I can’t help but which fires
down my bloodstream like arrows or cannons shot from embrasures
to break down the flesh of my body from the inside out
with these words
all these words
that die before they reach their destination
because I destroy them even as I create them:
filicidal desperation
to save me from your eyes
your bitter twisted flash of judgment
knocking in my teeth as I smile
as if you’d smashed in the true source from which my words had come
spuming madness in the form of a carefully crafted alphabet,
along the paragraphed lines that aren’t love letters
but rather the breakdown of their inherent theory
as if they were a science
and I their pitiable moon-bleached lab technician
growing specimens in agar
and prodding the Petri dishes for authentic poetry
finding only the petulant bacteria
and mould that grows on disused emotion
and stagnant ossuaries of words.



ix.

My crumbling carpal bones find themselves
failing to find what it is they strive to pry from my mind
since they can’t even pinpoint if it exists
and all the while trying to understand the form of love letters
and their purpose
because in the end,
I decide, and so do they,
love letters don’t make anyone happy,
but rather entomb a feeling that should never be contaminated
with perpetuity.

Thursday, October 7, 2010

Looking through the Window

I see the pain of a generation
filled with lies
disguised as promises.
I hear the cries at night,
they pierce me and leave me
breathless with despair.
Desperation kicks in,
programmed from within
with time, the cries subside
as the silence ensues
it spreads;
a disease.
Eating up mankind
until only one voice remains

A disorder of chaotic immensity.

Sunday, October 3, 2010

Bristol1

It's very wet here —
Although that's to be expected,
From outside one thinks of England as a grassy rock
Thrown against the fog and hail
Moulding there in the cold winds
Like a piece of old cheddar
In the channel.

The humidity seeps through
Thick socks, sweaters, woolen scarves
Looped thrice around the throat —
Any fissure and your pale, tender skin
Will prickle and shiver.
The clammy cold chills through knits
And flesh
To the bone.

Inside,
The kettle whistles
Blows a hot welcome geyser —
A jet of steam around which humans huddle.
Wrap your fingers around the mug
And already you feel the stiffness smoothed out —
Released, knuckles bending/unbending again —
But is it really good, to add more fluid to the balance,
To gorge yourself with more wetness?

Meanwhile,
Windows steam up, blown opaque with humidity —
They perspire, pearls of water forming —
Sliding down the panes —
Clear rivulets in their wakes —
A crystalline pointillist map of droplets and
Cold, warped smears, glistening beads falling
Collecting themselves,
Running down in branched streams —
Creeping, alive —
Wet.

Hand me the towel.