Thursday, February 11, 2010

Superluminal

[My first Heart Rape post! Hurray! :D I've been working on this for a while, but I still don't feel %100 about it...I know it's a little long, but please comment! Thanks :)]



The scarf folds and coils at her feet, slowly, slowly growing; rolling hills of green, winding coils of blue, dark purple sunsets and pink sunrises. The diamond on her finger shimmers dully like a star behind a cloud, traveling across the sky. A star that has lived a million years. Maybe it is dead, and we see only the dying burst. The needles shift up and down and the landscape flutters.

Sometimes it astonishes her to think that a knit scarf is but a single thread, looped and looped again upon itself. Endlessly self-reflecting. She ponders this as it slowly rolls onto her lap. The yarn is hairy in the sunlight, like his arm stretched across the pillow, hair quavering under her breath.

There is a quiet, mellow chime from the hall clock and she sets down the knitting needles on the glass table beside her, beside the digital picture frame. In it is a young man in uniform, clutching a young woman around the waist. She clutches the armrests and hoists herself up, scuffles into the kitchen, and places a glass mug into the hot beverage dispenser; presses the touchscreen, and hot water pours out. It turns into a steaming dribble and the machine opens a latch. A tea bag falls out and into the hot water, bleeding brown and red.

It takes her a moment to regain her strength. She leans on the countertop, wheezing over the steeping tea, and wonders if she has the energy to continue knitting. She doesn't. She takes the tea and makes her way back into the living room, stiffly tips over into a chair like a falling tree and crashes down into the cushion.

"Television," she says in a quiet voice, and the television zips on.

"-say that xenopolitical affairs may worsen over the next few years. Terran forces have suffered 867 more casualties in the past 3 months, bringing the total to 12,369, and Terran Prime Minister Asaj M. Lewis says that now is the time for affirmative action."

The screen flashes to a prerecorded planetary address by the Prime Minister. He drones on in a slightly Middle Eastern lilt that Earth will not tolerate the violence of the Xertians any longer and that the time for negotiations is over. That as he speaks 10,000 human troops are approaching Xertian orbit. That we Terrans stand for peace, justice, and liberty. In solidarity we stand-"

"-to bring peace to the galaxy," she mumbles. Her lips quiver as the final fleet approaches alien territory. In sixty years her skin has become the delicate crepe of a mourning veil; her hair the dry grass of an untended grave; 10,000 young men and women have traveled 60 light years to a distant planet; and her husband’s flushed and fleshy smile has gleamed unchanging on the coffee table. She clenches the coffee mug and the ring on her finger glimmers dimly.

The television screen turns white and navy blinking text scrolls across the front.

“Incoming video call,” says a gentle woman’s voice.
“Accept.”

“One moment please,” says the television. The old woman sits still in her chair, wheezing. She has no more energy for outward excitement, or for happiness. The tea grows mild and loses its steam.

“Maddy?” asks a male voice as the television screen crackles with static. “Maddy, can you hear me?”

She takes in several shaky breaths and rasps, “Yes.” It surprises her to hear her voice, so hoarse from years of disuse. She doesn’t recognize it, the brittleness. She takes another breath as the image on the screen wavers, and then straightens itself. There is her husband, as soft and youthful as the day he left, wearing that same uniform. A living memory. Other men walk past behind him.

“Oh—” he stutters. A smile shivers on his lips. “You look so…you look great, Maddy.”

She takes a deep breath. “Thanks.”

“How long has it been down there?”

“Sixty…sixty…years.”

Her husband’s face pinches and tears well up in his eyes. He sniffles loudly.

“Oh god, Maddy.”

For a moment she watches him sob, his shoulders heaving up and down. Hot tears rise in her eyes and trickle down the ravines of her face. She grips the mug.

“It feels like…” he whispers, “it feels like two years, maybe five.”

“It feels like yesterday,” she says, and picks up the photograph.

“Do you…do you have any…children? A husband?” he chokes. He looks into her living room, sparse and bleak – an armchair, a loveseat, the single photograph in her hand.

“No,” she says, caressing the frame. She cannot look at the living thing. It trembles in her hand. “I waited for you.”

His eyes soften and he smiles a brief, solemn smile. Then he clenches his teeth. “You know I can’t come back. When I do you’ll…I told you not to waste your life.”

She thinks of him saying this, the day the photograph was taken. She thinks of the feel of his arms around her waist, his chest hot against her cheek, his cheek pressed against the top of her head, his hot tears on her scalp as they clung desperately for eternity, for a moment. How that moment was all the life she had, all the life she wished for. She could not forsake it.

She looked up at the screen and looked into his eyes.

“It was worth it.”



[Superluminal is in reference to relativistic travel as it happened in Ender's Game and Left Hand of Darkness, but I don't know if that really came across...basically a person travelling through space at lightspeed ages much slower than someone on Earth.]

2 comments:

Marta said...

ANDREAAAA <3 Oh I've missed your writing!! :D

I really really liked this, it was a great twist on the going-away-for-war-and-waiting convention. I was worried for a bit that it was going to be a standard story of he-gets-killed-she-never-gets-over-him type story but set in a sci-fi world, but then he was actually alive and he was young and it was heartbreaking. Excellent concept!

And I loved all the little details you went through in describing the mechanical process of getting tea! It was obviously futuristic, but still accessible in that you wrote it in a very clear mental-image inducing way so it wasn't too abstract. (Made me think of Hitchhiker's Guide and how Arthur Dent can't get tea although I think that's just me being weird because really it wasn't like that at all and the only similarities were sci-fi and tea :P)

The whole first paragraph was beautifully described. Just really awesome. There was so much said there that was just so beautiful and subtle. Really awesome. Both the scarf imagery and the diamond-star analogy-type-thing (don't know if analogy is really the appropriate term but you know what I mean).

The only thing that confused me a little was when the husband asks her how long it's been. Wouldn't he have been aware of how much time had passed on Earth, if not because they keep track of it on the ship, but then because he was told before he left? He seemed a bit surprised, which made me first think that they were put in some kind of cryohypernation or something to preserve them and he'd just woken up, but then he said it felt like 2-5 years...so yes. That was the only thing that I found as a discrepancy.

And if you wanted the superluminal to come across more then you could definitely play with that! I think it was there, but understated, and could be made a lot stronger depending on how you approach it. Like you could work in some more imagery, like you did with the diamond-star in the beginning, or you could have her contemplate light and distance in a subtle way, or you could have an infomercial on the TV relating to lightspeed travel or youth preservation because of it or something. I don't know it's really up to you, just throwing random ideas out there :P

Great job on exposition by the way! I didn't know what was going on at first but it brought me in slow enough that it was still intriguing rather than CONFUSION WHAT'S GOING ON, and fast enough that it didn't make the story drag. And it was good that you didn't have Maddy just reminisce about what had happened, and that it was done through the TV. I liked her interactions with it, and the fact that what she was watching was mainly a rerun. It made it seem like she'd been there a looooong time, which was the case, so it worked really well in setting the tone :) and it wasn't lame exposition, plot-dumped all over the place.

I really enjoyed this and I am so happy that there's some sci-fi now on Heart Rape! :D YOU'RE AWESOME

Emlyn said...

so so so sad, I also thought at first that the soldier had died at war, it was an interesting twist. definite heartrape right here :(