Sunday, March 28, 2010

Cassandra


and then I died (murdered I perhaps should
add — by that controlling bitch, treacherous
wife of Agamemnon, who, if he could
would have killed me too): the end. The chorus
did not moan, not once, not one cry uttered.
They had lamented me enough alive.
Now let them tear out their hair for others —
but I doubt they shall find more woe, though five
hundred wretched virgins pass through the hall
of tragedy.

I commence my story
from the start, from princess of Troy, my fall
to accurséd tramp. We are all wary
of that word, "cursed", here in the afterlife —
moping souls, never forgetful, bloodless
and ever regretful. Yet truly in strife
with a god my toils began. A caress —
though it promised much more than a simple,
harmless stroke — from Pheobus Apollo who
descended upon me in the temple
one night. In the form of a snake he flew,
or rather slid, to my ear and whispered
such things I could never recount. Had I
known, then, what his tempting augured
I would have spread my legs, not been so shy.

Alas! Poor frightened priestess that I was!
Alas! Those sick gods who always meddle
with mortals! The vicious lisps, without pause,
numbed my ears with truths until the dreadful
ax cut me down, at last, chopped me into meat.
All because I barred the way to my womb
the divinity, in the passion's heat,
impregnated me with prophecies. Doom
I foresaw for my beloved Troy, and
dear Hector's corpse — I was first to see it,
and the Greeks' trick: to leave behind on land
that ill-boding horse. No one would admit
that I had divined verily, therein
lay the twist of the deity, that no one
should believe me. So my chagrin
I shared only with the god of the sun.

The rest of my life was a tangle of
ruthless men and unheard cries of anguish.
Ajax the lesser raped me first. So rough
was he — his fat member in me, brandished
like a club, strong fingers strangling my hair —
I bled for three days. Then Agamemnon
took me as his concubine. I dared
not tell him of his fate. He walked upon
those tapestries unknowingly. I knew,
of course, and seeing him tread the purple
I went mad with knowing, and to
my fate strode, head bowed like a disciple —

5 comments:

Jessica said...

I love Cassandra.
And I love especially the line "the divinity, in passion's heat, impregnated me with prophecy". Sent chills up my spine.
I also really liked how flowing and...and...I'm not quite sure how to put it. It read like a piece of the Iliad, though, whatever it is that makes that so.
I think the only part that I was iffy about was the line "In the form of a snake he flew, or rather slid". It felt like it didn't entirely fit in with the cadence around it.

Chasch said...

I needed something to rhyme with "who"! I'm a poor poet, rhyming is so tedious.

Marta said...

Omgosh I did not realize you were rhyming until I read your comment! Well done! I hate when I notice rhyming poetry, it bothers me so much. So this was really effective in my opinion - very subtle, and it clearly didn't seem like you were sacrificing content for form. The creativity of the rhymes you used is also really really admirable. It added so much to the story.

In all, this was just a really effective narrative poem. It sounded like something that could very well be a translation of some ancient Greek text. It was such well chosen diction that it just flowed perfectly and seamlessly.

I must say that I thought the beginning started extremely well too. It's always interesting starting a piece with a conjunction into a thought that is so clearly a conclusion, and this was no exception. I also love that it turns back on itself, so it can be a neverending poem. Very clever.

The pacing was also quite well done. It went through events quickly and concisely, but just the right amount so that it wasn't too quick or too concise. It was excellently self-contained, and extremely enjoyable because of that.

Andrea said...

J&MSMC

The rhyming here is so subtle, I didn't notice it either the first time I read this forever ago. But I keep reading it again and again and I just freakin LOVE this poem!! It's so brilliant. It feels like something you'd read in the library in the classics section, and the image goes perfectly. I feel like it should me a black and white engraving and your poem should be all yellowed and written by some British guy. It's flippingly well-written, and I have no criticism about it whatsoever. In fact I return to read it occasionally because I just love it so much.

Andrea said...

Two years later and I'm still blown away by beautifully crafted this poem is. I will definitely print this and take it with me to read again and again.