Saturday, March 20, 2010

The Bookstore on an Island (part 2 of 2)

A recent discovery in a Scottish antiquarian bookstore has allowed modern scholars to study the goings on at Leed’s Books in more detail. A ledger, written in Mr. Leed’s own careful handwriting, has been found. It enumerates in long lists the books (inscribed with the author, edition, year of publication, and notes on the quality) with their prices and dates of sale or acquisition, over the course of two years. From this document, we know that a surprisingly large array of titles that passed through the bookstore, and how quickly titles often found their way onto the shelves and were sold off again. Among the titles Leed’s Books acquired or sold over the course of those two years are: two Gutenberg bibles; one of the Shakespeare folios, in excellent quality; a fragment of the Magna Carta; four first editions, two of them signed, one with annotations by Virginia Woolf, of Joyce’s Ulysses (each of these were never present on the shelves for more than three months, being sold off rather quickly, which is surprising when we consider the pristine signed copy Cathach Books, in Dublin, has had for the last 50 odd years, and has never been able to sell); first, signed editions of The Picture of Dorian Gray, Frankenstein, The Sun Also Rises, Moby Dick, Gulliver’s Travels, and The Hobbit; 36 pages from the second edition of The Canterbury Tales, illustrated with woodcuts by William Caxton; first editions of Milton’s Paradise Lost and Galileo’s Sidereus Nuncius; Macchiavelli’s copy of Plato; Milton’s copy of the Bible; Byron’s copy of The Rape of the Lock; Joyce’s copy of the Odyssey; Hitler’s personal, annotated copy of Nietzche’s Beyond Good and Evil; Pound’s copy of the Divina Commedia; Eliot’s copy of Donne…

This ledger is an important find for book historians, and allows a glimpse at how Leed managed his business. If there was no apparent organization to the books throughout the store, Mr. Leed was extremely meticulous in keeping track of which books entered and left the premise, as well as keeping careful notes on the pricing and quality of his prodyct. Indeed, Mr. Leed seems to have had a special talent for pricing rare books, which is particularly difficult for bookstores specialized in the old and rare, since they can’t rely on wealthy auctioneers to fight over the books and fix the prices through competition. However, always satisfying the customer with just prices considerably diminished profits, but may have helped in securing the reputation of the store, and make up for its geographical inaccessibility. All exterior accounts of agents and patrons visiting Leed’s Books agree on how knowledgeable and helpful Mr. Leed was. He also seemed to do absolutely everything in the store, from answering the phone (which rang almost constantly, calls coming in from around the world) to preparing tea or lemonade for customers who were browsing for a long time.

Sometime at the turn of the century, Leed’s books ceased to be a popular bibliophilic destination and slipped into oblivion. The 2000’s, characterized by a general disinterest in rare and antique books, a diminution in the circulating of rare materials (most old books having been acquired by libraries, museums, and public collections), and the economic crisis that marked the period, made for tough times throughout the rare and antique books industry. It was the end for Leed’s Books. It remains unclear exactly when the bookstore closed and where the remaining product, which must have been quite substantial in both quality and quantity, went. The store must have started with Mr. Leed owning a few rare books, selling them, and obtaining others in exchange, until his home came to be filled with books. Perhaps in the same way he started selling off his books without acquiring anything new, until he had nothing left to sell.

By 2010, people had stopped going to Leed’s Books altogether, until a large London auction house, finding a reference to the strange bookstore on an island in one of their files, sent an agent to investigate, hoping they could profit from some kind of liquidation sale. The agent dispatched to Tiga found the old colonial house deserted, in terrible condition, and apparently empty. A simple “closed” sign had been nailed on the front door, indefinitely. As for Mr. Leed himself, he had very probably left the island by this time, never to be seen again in the book world.

Despite the decrease in the interest for actual ink-and-paper books in the last decades and the little impact Leed’s Books has actually had on more popular forms of book culture and literary dissemination, it is important that this most exceptional institution not be forgotten. It should remain in the collective imagination as a last haven, symbol of an era in literature, and a beacon of hope for book-lovers, past, present, and future. Indeed, the fantastic aura, the beauty of the place on a cultural level, demands that it be remembered.

One must imagine a shipwrecked person – shipwrecks were a recurring problem in the South Pacific until the end of the 20th century – washed up on the shores of what he expects to be a deserted island. One must try to understand and admire the surprise, the pleasure, the sense of awe brought on by the incredible power of art and old things, as this salt-caked, exhausted survivor makes his way up the beach and comes face to face with the elegant colonial front with its large block letters: “Leed’s Books”. Imagine his delight as he enters the bookshop, as he is greeted by the gentle smile of Mr. Leed, offered a cold glass of lemonade, and is allowed to browse for a few hours in absolute safety and peace.

1 comment:

Marta said...

Okay so having thought about this for a few days, I have a few things to say.

One: the section listing all the rare books at the end of the first paragraph almost had me drooling. It made me realize just how much of a bookworm lit nerd I truly am. Just....oh man.

Next, I must say that I suppose I was expecting a little more to happen so it's possible that simply because of that I was a little more disappointed than I should have been. It was far more of a descriptive piece than I'd anticipated - and it's very good at being exactly that! But still...I felt that it maybe fell a little flat. Here was this awesome fantastic amazing store - a great setting and concept for a plot to revolve around - and yet it was missing exactly that: a plot. It was more of a historical-memoir-portrait of this odd little bookshop. So like I said - if this is all you meant it to be, and I'm sure it was, then you succeeded. But me, being the person that I am, I wanted a grander story with more involvement from the narrator. Showing, rather than telling.

I guess I also had a bit of difficulty believing how Leed could be SO good at managing the store since in the first part I believe it said that the place was always packed full of people, and in this part it says that he was always answering the phone that constantly rung AND he was able to help the customers personally ANDDD he was able to do things like get them lemonade. I can get that he's good, but that seems just too good for anyone :P

Also the last paragraph was a little off-putting. Maybe this is just me being stressed out of my mind and being dense, but I was a little lost with it. It was a wonderful image - but when is it happening? Why are we imagining it now? Is this a moment where the reader is supposed to reflect and think that maybe Leed is still out there doing these things? I don't know exactly. I thought as an ending to such a straightforward, chronological piece it stick out in an awkward way.

As usual though, your calibre of writing is simply superb. However in terms of content I wouldn't say this is one of your strongest pieces. Still....such a beautiful sounding place and I can't help but smile when I think about the possibility of a place like this existing :) So simply for that, I thank you for having written it!!!