"No one's coming for us; we
left 'em in the dust," said Clint, crossing his arms and sitting back in
his seat.
"Maybe they've set up a
alarm at the next town. They'll catch us, I know!"
"No, they won't, Nelson.
Calm yer horses. All we gotta focus on is drivin' to the next town, finding us
a place to duck down for a few days, and then we'll drive straight on down to
Mexico. They'll never catch us there."
"We shot a girl,
Clint," cried Nelson, his eyes near tears. The roadster jerked, tipping
slightly on its narrow wheels. "She--She's dead!"
"She ain't dead,"
snapped Clint, "ya don't know that. 'Sides, you helped her up yourself.
She was breathin'."
"Barely," thought
Nelson with dismay. On his palms he could feel the tackiness of dried blood
moistened with sweat. His hands clung to the wheel, bound to his inexorable
fate. "What if she didn't make it - then we'll really hang! We shouldn'ta
shot that girl, Clint. That's not what I signed up for."
"Well, it happened," said
Clint, "Sides, she had it comin'."
Nelson peeled his right hand off
the wheel. It stung, his knuckles stiff and sore, clenched in a death grip.
With his dusty sleeve he wiped his nose roughly. "I'm no murderer Clint.
I'm not."
"Ok, Nelson. You're
not."
"I'm just a thief -
thievin's not so bad, right? Man's gotta live."
"The only way we're gonna
live through this heist is if you quit cryin' get us to
some cover! We got twenty grand in the backseat, enough to buy us a ranch out in Mexico. Don't let her sacrifice go to
waste." Clint slapped a firm hand on
Nelson's shoulder. "Cheer up," he said, "Soon there'll be
Senorita's aplenty, an' you'll forget all about the blondie at the bank."
"Yeah," said Nelson in
a wavering voice. "You're right. I gotta keep my head straight. Can't
start panicking now."
"Atta boy," said Clint.
"Whereabouts are we?"
"Not sure," said
Nelson, peering into the coming darkness. One either side of the muddy highway,
trees began to grow closer and darker. On their long, swaying limbs hung
tendrils of moss, which reached out toward the men, grazing their faces like
little ghostly fingers. "I think we're comin' in close to
Shreveport."
"Don't get too close to
town. Let's stay out a ways in the country," said Clint, tension rising
slightly in his throat. He regretted his unfamiliarity with the county;
wherever they drove now was at Nelson's discretion. This was the one job Clint
had kept him for, but as he watched Nelson's exhausted face and the manic fear
in his eyes, Clint began to wonder if he had made the wrong choice. Perhaps he
would have been better off on his own.
"I'll turn off here,"
said Nelson. "We'll find somethin', or we can park out in the woods."
The car veered off to the right,
down a narrow lane through the trees. Night had fallen now, and only the dim
headlights flashed on the tree trunks as the jalopy jumped and rattled over
branches and stones. Exhaustion was settling over Nelson, now that the sun had
gone away; the dark hung on him, whispering unpleasant thoughts in his ear. It
seemed the deeper into the woods he drove, the more dread he felt in his heart,
and though he swallowed deep and hard, thoughts of the dying girl came to mind.
As he pondered miserably her pale, flickering face, Clint cried out, "There!
Over there!" and pointed vigorously through the trees. There, in the
headlights, was a small, overgrown driveway, invisible to eyes less desperate.
With a sharp turn Nelson bolted down the driveway. They had found sanctuary at
last! He could ease his pounding head and find peace, perhaps, in the
merciful fog of sleep.
The lane was dense with saplings
which snapped and scraped against the car, claw-like branches clinging. Soon
the men emerged into a clearing. A half-moon shone dimly on the blue-green
grass, which waved in a night-time breeze. On either side stood gnarled, black
trees, like sentinels who, standing guard for many years, grew bent and wicked.
They leered at Nelson as they drove past, and he shrank under their gaze;
Clint, however, was giddy with relief.
"I knew I could count on
you!" he laughed. Already in his mind he was gleefully counting his money, there were not trees but cacti, and women beat their silken fans over him,
swishing their skirts.
Still the trees leered at Nelson,
the knots in their trunks like unblinking eyes. Something about the place
creeped upon his mind. Maybe it was the glint of moonlight through the
branches, or the manic laughter he felt brushing just behind his teeth, the
breathy fear he struggled to contain. Or maybe it was the bank
teller's dimming eyes...
Suddenly, in the corner of his
eye Nelson saw a pale shape peering in the window. He jumped with such fear
that the car rocked, and he stepped hard on the pedal, throwing Clint against
his seat.
"Jesus!" cried Nelson,
shaking all over. Tears stung in his eyes. "D'you see that?"
"I sure do!" said Clint
with enthusiasm. "She's perfect! Dammit, Nelson, you really are one
surprise after another!"
At that Nelson wrenched his eyes
from the side window and looked in front of him. Far down the end of the lane
stood a rotted house, leaning in the moonlight. Its windows were shattered and
dark, the veranda crumbling in places. And at the back end of the house, facing
the moonlight, was a large bay window, reaching out from the second storey. All
at once his memory poured over him.
"It can't be,"
whispered Nelson. "The Maycott Estate!"
"You're shittin' me?"
asked Clint. "As in the Maycott Murder?"
Nelson nodded dumbly in response.
“Albert Maycott...”
All the while the house loomed
larger and larger, oppressing Nelson utterly as the truth become impossible to
deny. Some cruel fate had caused him to return here, led by the traitorous
homing instinct!
To Be Continued...
3 comments:
Awesome Andrea! This is a grand setup for a western/horror story!
Well done on the dialogue, you really nailed those two rascals down. I especially love the name Clint, it's a nice wink at Leone.
I would recommend increasing the pace of the narrated bits a little, while lowering the level of language, for consistency's sake. I found because the dialogue was so typical and awesome, it jarred a bit with the metaphors and more poetic language of the narrator.
More action! More suspense! Can't wait to read the rest!
Thanks Charles! That's definitely the problem I'm tackling right now. I just love the character's voices so much that I have a hard time smoothing out the narrator. I also have a long section coming up that is supposed to be a tale within the tale, told by Nelson...but I'm worried it'll be too exhausting to do entirely in his voice. Should I have his storytelling paraphrased by the narrator for consistency's sake?
Nah, I would have his voice right there in the reader's face.
In fact, have you considered having the whole thing narrated by Nelson? He doesn't need to write exactly how he speaks, but it might be more energetic.
I'm thinking of Patrick DeWitt's The Sisters Brothers where he does something like that, with one of the two brothers narrating and it's very efficient. You should take a look at the book if you haven't read it...
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